

Season Six
117 THE BEGINNING 6-1
WRITER: CARTER
DIRECTOR: MANNERS
Picking up from the Fight the Future movie, an alien is on the loose with both Mulder and Scully and Spender and Fowley (now in charge of the X-Files)in pursuit. Gibson who can communicate with the alien escapes his captors finding M&S only to be taken again. He is taken to the alien who later morphs into a common gray after killing the captor in front of Mulder and Fowley. Historic Moment: A new supervisor is assigned to the duo, Skinner is now out of the loop. Critique: The first episode filmed in L.A. has a unique feature film look with a great link in the conspiracy chain. A-
118 DRIVE 6-2
WRITER: GILLIGAN
DIRECTOR: BOWMAN
Mulder and Scully are stuck on a lame FBI detail that leads them to a possible virus that kills when its victim travels too slowly or in the wrong direction. Mulder is held hostage by a victim who as Scully discovers has contacted this condition after sound experiments were conducted near his home by the navy. Critique: Interesting concept but the tension never reaches its full potential. C+
119 TRIANGLE 6-3
WRITER: CARTER
DIRECTOR: CARTER
While searching for the Queen Anne in the Bermuda Triangle Mulder enters a time warp and is taken aboard the ship where it is 1939. Nazis take over the ship and similar to "The Wizard of Oz" he begins to see familiar faces on the ship only as other people in this other time. As the nazi's (CSM and Spender) search for Thor's hammer, Mulder tries to convince a passenger (Scully) of their position in a time warp. The Lone Gunmen enlist Scully (in present time) to find Mulder. Historic Moment: Mulder kisses Scully, unfortunately it's the 1939 Scully and when Mulder tells present day Scully he loves her she thinks it's part of his dilution. Critique: An incredible technical effort on this masterpiece of real time storytelling is not lost on this great story. A+ 120 DREAMLAND 6-4 WRITER: GILLIGAN, SHIBAN, SPOTNITZ DIRECTOR: MANNERS Mulder and Scully finally get to Area 51 only to become a part of a tear in the space time continuum caused by a downed plane with alien technology. It leaves Mulder and an Area 51 employee, Morris Fletcher, stuck in the each others body. This employee is glad for the switch but Mulder is left trying to find a way back and to trying to convince Scully of his plight. Morris(in Mulder's body) displays abnormal behavior and Mulder(in Morris' body) pleads with Scully after he is arrested while trying to give her the flight data recorder as proof of their swap. Critique: Like a good first installment it leaves us wanting to see more B+ 121 DREAMLAND II 6-5 WRITER: GILLIGAN, SHIBAN, SPOTNITZ DIRECTOR: MANNERS Part 2. While Mulder deals with his new wife and kids after being released from jail, Scully evades the advances of her partner realizing it's not Mulder. She forces Morris to return to Nevada to get the flight data recorder to try to fix things. The Lone Gunmen analyze the data but Scully must tell Mulder there is nothing they can do and that she has been fired. Meanwhile the tear is reversing like a rubberband returning things to normal in its path. Historic Moment: Learning Mulder does have a bedroom, it's just been filled with junk. Critique: Michael Mckeon gives a wonderful performance as Fletcher in this entertaining complex story. B+ 122 HOW THE GHOSTS STOLE CHRISTMAS 6-8WRITER: CARTER/SPOTNITZ
DIRECTOR: BOWMAN
part 2. Scully tries to convince Mulder that Fowley is dirty and Mulder checks out Fowley's apartment. He runs into CSM who explains all about the trade of family members to the aliens to make the hybrid so the conspirators might survive. A turnover of Cassandra to the aliens is arranged but the rebels destroy all the participants including key members of the syndicate. Historic Moment: CSM kills Spender, just before he turns the x-files back over to Mulder, the conspiracy is finally explained only to raise new questions. Critique: A lot of info to cram into one episode but a great shocker ending. B-
129 AGUA MALA 6-14
WRITER: DAVID AMMAN
DIRECTOR: BOWMAN
Stranded in the middle of a hurricane in Florida, Mulder and Scully seek safety in an apartment building while searching for the source of some bizarre disappearances. They find themselves in even more danger when they learn that something else has come in from the rain with them, a sea creature killed only by fresh water, but not before Scully delivers a baby and Mulder is infected. Critique: Mulder and Scully stranded always works. B
130 MONDAY 6-15
WRITER: SHIBAN/GILLIGAN
DIRECTOR: MANNERS
Mulder and Scully are unwilling victims in a bank robbery gone bad with a man with a bomb. It's a bad day for Mulder which keeps repeating itself but only one woman is aware of it and works to convince Mulder to try to prevent the tragedy which keeps killing Mulder and Scully over and over again. Critique: Kind of an overused concept but shines with the X-files treatment. B
131 ARCADIA 6-13
WRITER: DANIEL ARKIN
DIRECTOR: MICHAEL WATKINS
Mulder and Scully pose as a married couple to investigate a series of bizarre disappearances in an exclusive, gated California community. It turns out to be a trash monster brought to live with a tribal ritual perpetuated by the head of the community. Critique: The creature story is an annoying distraction from the real highlight: Mulder and Scully married, a great premise for jokes and awkward moments. A-
132 ALPHA 6-16
WRITER: JEFF BELL
DIRECTOR: PETER MARKLE
A breed of dog from China thought to be extinct is brought to the U.S. only to escape and begin a killing spree. Mulder is tipped off to the case by an online pen pal who has more than just dogs on her mind; it turns out the dog isnt the only "trickster". Critique: This episode is neither scary or even romantically intriguing. It just misses the mark. C-
133 TREVOR 6-17
WRITER: JIM GUTHRIDGE/ KEN HAWRYLIW
DIRECTOR: BOWMAN
A tornado through a Mississippi prison creates an inmate who can pass through solid objects. Hes on the loose and looking for his former girlfriend and son. Critique: A gruesome ending almost saves this one from mediocrity. C
134 MILAGRO 6-18
WRITER: CARTER/SPOTNITZ/SHIBAN
DIRECTOR: MANNERS
A writer develops an ability to "imagine" things into actually happening just by writing them in his novel. Unfortunately his main character rips out peoples hearts. Bad news for Scully who ends up tangling with "the Stranger" when the writer develops an obsession with her and makes her a character in his novel. Critique: Kim Manners best directing work to date helps mold this well written tale into a fascinating twisted love story. Its always a plus to see Scullys non-FBI side. A+
135 THE UNNATURAL 6-20
WRITER: DAVID DUCHOVNY
DIRECTOR: DUCHOVNY
Mulder visits Arthur Dales brother Arthur to investigate a photo from New Mexico taken during the time of the Roswell crash. Dales recounts the story of himself and a baseball player from the Negro leagues who turns out to be an alien in love with the sport. Historic Moment: David Duchovny writes this episode and makes his directing debut. Critique: A well written story on the importance of the bonds of friends, while the quality of time Mulder and Scully spend together is great, the quantity is missing. B-
136 THREE OF A KIND 6-19
WRITER: GILLIGAN/SHIBAN
DIRECTOR: BRYAN SPICER
The Lone Gunmen travel to Las Vegas to try to infiltrate a government convention and find Susan Modesky back in the employ of the government. They trick Scully into joining them to investigate Modesky's role. They soon discover she has developed a mind controlling drug which gets used on Scully. Critique: The gunmen do a wonderful job of carrying this Mulderless episode. B+
137 FIELD TRIP 6-21
WRITER: SPOTNITZ- GILLIGAN / SHIBAN (TELEPLAY)
DIRECTOR: MANNERS
Magic mushrooms send Mulder and Scully into separate trips when they investigate the deaths of 2 campers on brown mountain. While being digested in the goo of this human eating fungus Mulder hallucinates he abducts an alien and finally convinces Scully to believe. She hallucinates Mulder dies and she toils in her decision to always believe in the simplest explanation. Critique: An original ideal creates a disturbing set of circumstances( Mulders death) with lots of twists and turns. B+
138 BIOGENESIS 6-22
WRITER: CARTER/ SPOTNITZ
DIRECTOR: BOWMAN
A mysterious artifact is at the center of a murder and disappearance. A rubbing of the artifact causes Mulder to become disoriented and eventually lands him in a metal hospital while Scully searches for truth behind this artifact but is hindered by Krycheck, Fowley and even Skinner. Critique: Intriguing yet not as well done as most two parters. C

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